Gallery

A colourless, near-flawless natural oval held in a delicate four-claw setting, with a quarter carat of round brilliants micro-claw set along the shoulders to carry the eye into the centre stone.

Two rings for one couple, made to sit together but wear quite differently. Hers is platinum, grain set with round brilliants across half the band, each stone held by tiny beads of raised metal rather than claws so the line of diamonds runs flush and unbroken. His is a wide 9ct white gold court, kept deliberately light — the profile is rounded inside and out, which is what makes a band this wide comfortable to wear every day.

A round brilliant teal sapphire flanked by six marquise diamonds, comfort fit inside and curved outside. A 1.5mm peridot is set out of sight beneath the centre stone, her birthstone, visible only to whoever is wearing it.

Built around diamonds recycled from the client's own rings, reset with lab-grown stones alongside six marquise emeralds in a floral motif. The chain is permanently fixed to the pendant so it always hangs centred.

A pair with the stones reversed between them: an emerald set on the outside of the yellow gold band and a tanzanite hidden within, and the same two stones the other way round in white gold. Both engraved inside with the same private inscription.

Two rings drawn from one brief. Hers curves to fit an existing ring, tapering from 1.4mm to 2.3mm in depth; his is a traditional court in the same matt finish. Made to a July deadline for an August wedding.

Shaped to follow the curve of the engagement ring it sits against, with round brilliants micro-claw set across half the band so the metal disappears where the two rings meet.

A generous oval solitaire in warm 9ct yellow gold, chosen for a stone with no visible inclusions and no warmth in the colour. Lab-grown, IGI certified.